Hey loyal readers (if you exist)! I know it's not Friday, and I know I've been gone for nearly a month without updating, but I'm back today with a weekly ramble, out of time, and probably short, but I want to get you up to date, and I didn't want to wait until this Friday to do it, since you've already waited so long.
So! What happened? Well, I got sick, first with a cold, then with a sinus infection, then with bronchitis. I'm still not entirely over the bronchitis, but close enough. Also, one of my lovely cats broke his tail, and had to get it amputated. He's fine now, if grumpy because of the cone he has to wear. November (and the start of December) was just generally miserable, and I got very little writing done, both fiction and nonfiction. I did, however, do a lot of decision making? Plotting? Picking away at things? Thinking? Things that aren't writing, but are necessary to doing writing in the future, so I don't feel like November and December were complete wastes.
So, here's what's going on:
Sea Witch has been put on the back burner while I do some thinking and researching about the plot & revolutions. I wrote myself into a corner in November, cut some stuff, and then realized that I'd reached a point where I really wasn't sure what should be going on big-picture-wise, and I need to figure that out before I continue. Its current wordcount is 18,742.
This isn't a problem, though, because I started reading through my first draft of Mendenhall (which I'm in the process of retitling as well) on the first of December, and on Saturday afternoon while I was inputting some notes into Scrivener, the changes that I need to make to the structure overall just clicked into place, and I rewrote the whole outline in about 45 minutes. Bad news is that this is going to necessitate a nearly complete rewrite of the book, but the good news is that I'm feeling really good and invigorated about the whole thing, so it's full steam ahead for the good ship Mendenhall. Yesterday, my first day of the rewrite, I wrote 623 words, and the total overall wordcount is 57,986.
I've also been super lax about book reviews, so out of all the time I missed, you only get 4 book reviews. Still, they're good ones.
Witchmark by C. L. Polk
Witchmark is the kind of book where the romance is sweet, the plot is full of the right kind of tension, and the characters are so real and vulnerable that you can't help but love them and worry about them. I also really enjoyed the fact that this wasn't just another cookie-cutter fantasy England; Polk has really thought through the ways that magic relates with society in her world, and the effects that it has on her characters are both nuanced and impactful. I'm so glad that I pre-ordered this one on a whim; it's one of the most fun books that I read this year, and I can't wait for the next book set in this world!
Spinning Silver by Naomi Novik
It's hard to write about Spinning Silver without talking about the other book in this "series," Uprooted, much as it's hard to read Spinning Silver after reading Uprooted without comparing the two. These books are not, however, related in anything more than the way that they continuously subvert fairytale tropes. Spinning Silver is a retelling of Rumplestiltskin where Uprooted was a retelling of some tropes without being a retelling of a particular identifiable fairy story, but both have the same relentless rate of reveal that changes your understanding of the story that you're reading every couple of chapters, and a strong focus on female friendship, that I loved so much in Uprooted. I particularly enjoyed the tensions at the start of the book, which centered so much around the ways that the jewish family at the center of the book are othered in their own hometown. The story didn't appeal to me quite as much when it moved into a larger good vs. evil narrative that was still engaging, but not quite as nuanced and personal as the first part of the book. I feel like Uprooted did a better job of keeping things nuanced and personal throughout in a way that Spinning Silver didn't, but that more because Uprooted is a work of genius than because this book is bad. In fact, this book is still really, really good, and I would recommend it if you enjoyed Uprooted. It would also probably be a good winter/holiday read since there is so. much. snow.
Trail of Lightning by Rebecca Roanhorse
While this book may have at least some of the outward trappings of a "native american mad max" (all things that I'm into, and how it was sold to me on twitter), it is definitely more fantasy than science fiction, and is less about institutional power and more about vulnerability and working through trauma. Not that I have anything against that, and it's definitely a story that needs telling, but I definitely came into it expecting one thing, and got something that looking similar on the surface, but was completely different underneath.
All of that being said, this book is solidly written, the characters are deep and the sort of flawed and vulnerable in the ways that only make you like them more. There's a little bit of romance, a lot of action, and plenty of grit, so if you want all of that in one package, this is the book for you. Plus the premise is wonderful and totally worth your time. Definitely check this one out.
The Strange Case of the Alchemist's Daughter by Theodora Goss
Look, I'm not much into Victorian or steampunk stories lately--nothing against them, it just hasn't been what I've had a taste for lately. However, if I had to read a story set in Victorian England, I'm glad it was this one. I love the premise of all the characters being monstrous women, and I love their diverse talents, and the ways that they support themselves in a world that doesn't accept them. The style is unique, with all of the characters piping up to comment on the narrative, but strange as that sounds, it works. Definitely would recommend if monstrous women, Victorian England, or Sherlock Holmes is your thing.